Monday, March 9, 2009

Secret History of forgotten Portland Bands Volume 1

laserhawk

OK. So I've come to realize that in a town/scene/era of this size, as welcoming as it can be, certain bands/projects end up slipping through the cracks.
So that said, I've decided to do a weekly documentation of some of these musical projects that maybe never really made it out of the basement but still deserve some shine.
Most of these musical endeavors never had the push of any label or any other monetary benefactor, yet in spite of that had some heartfelt passion. At least enough to make the history of portland bands that never really "made it" but that are still are near and dear to my heart.
I will briefly expound on them and then leave a link to download a sample track.

Volume 1:

BAND: Laserhawk

DESCRIPTION: Math-rocky, mostly instrumental band that was pretty big in PDX circa 2001. At least to me. & by "pretty big" I mean, "the first band i ever knew where I actually knew the dudes that could book a show @ the old Blackbird on Sandy."

WHERE ARE THEY NOW?: Now in such diverse outfits as Quiet Countries, Wilding, Pants Machine, i think Tyler has a grad degree in piano, and Steve has a son.

MUSIC LINK: click here
Read More >>

Sunday, March 8, 2009

Musical Etiquette: At The Party

So you've been invited to a party? Good for you, you're popular! These are generally entertaining events where people mingle, dance, discuss their interests and attempt to sleep with one anothers exes. If you're at the right party you may even see blood-alcohol experiments performed live and/or copious drug use! But don't let that discourage you, parties are a great way to meet new people and have stimulating conversations about your interests.

Music is a wonderful topic to break the ice, entertain a group of people and showcase your sparkling wit. After all, you're popular! You need to be sure that people remember you at the end of the night. Knowing the song that the host has put on can make you appear "hip", "with it" and "cool". But be careful! Go too far into your musical knowledge and you'll be labeled as The Giant Music Snob. Lucky for you, I've got some good advice to keep you looking good and the party flowing.

1. Don't Bore People.

Here's a quick way to tell if you've slipped over the edge of good taste. See the glazed expression in the eyes? The slack jaw? This girl is no longer interested in you because you can't shut up about Obscure Band #1's Japanese release limited edition promo only 45 B-side live acoustic cover of Obscure Band #2's best song from their unreleased 4-track demo.

If you see this look on a fellow partygoer's face, you've been going on way too long. Try changing the topic, or asking a question and listening instead of waiting for your turn to speak. See what happens!




See, look at her now.

Keep this in mind; even if you know more about an obscure band than anyone else in the room, they don't care. You'll meet people who share your passion at times, the key is to recognize them. Musicians generally listen to far more music than other types so feel free to test the waters about how long they'll talk. Of course, they may have dates with them that aren't into it or friends in the group who don't share your interests. Play it by ear and watch their eyes, you'll do fine.

So now you know when to stop! It's an important lesson. Are you ready for your next one? Good.



2. Don't Be An Asshole.

Everyone is, on occasion, a total asshole. It's a sad fact of life but the frequency can be minimized with some basic guidelines. First realize that music is subjective. It is a very personal decision as to whether or not a record can be counted as "Good" or "The Worst Shit I've Ever Heard In My Life". People can be rather testy about their tastes and I've found it best to avoid absolute statements when discussing music with people I don't know well. You don't know the people at the party very well? That's good! Parties are about meeting new people and vomiting on them! Let's look at a couple ways of telling someone what you think of the song that's playing.












"I've heard this before. I don't really care for it that much."


"WHAT IS THIS SHIT?"

"I CAN'T BELIEVE YOU'D INSULT THE EXISTENCE OF EARS BY PLAYING THIS!"
Which of these people would you want to talk to? If you picked the second or third one, you may be masochistic and this blog cannot help you. Please seek professional help. Did you pick the first one? Good! He is exhibiting the appropriate response to someone elses taste in music. The truth of it is that you can always find someone whose tastes in music will offend you, or vice-versa. There is a price to be paid for the variety in the world, you will always find things you do not like.

3. Stick to "I" Statements.

What's an "I" statement you ask? It's simple. I'll give you some examples.

Bad: Morrisey's last two records are fucking terrible.
Good: I think the last two Morrisey albums were fucking terrible.

Bad: The Killers? Why the fuck would you waste your time?
Good: The Killers? They're alright, but have you heard of Interpol? I think they're far better.

Bad: The artwork for this album makes your eyes bleed for two weeks.
Good: The artwork for this album made my eyes bleed for two weeks. My doctor said he had't seen anything like it since the 80's.

You see, the second one is a tricky one. The speaker has managed to do two things at once, Not Be An Asshole and Stick To "I" Statements at the same time. Once you've done it for a while, it will be second nature. To be quite frank if you don't hold a degree in music and aren't prepared to explain yourself in very technical terms you're probably not able to make an objective statement about the quality of a record or band. It's a safe bet to talk in the first person; you may find yourself at a party with the guy who produced that album you just trashed. Wouldn't that be embarrassing?

4. Have A Good Time!

Well that's why you're at the party! Keep the smiling up, don't bring everyone around you down with a thirty minute rant about how much you hate some band or another. Once again, no one cares. Be sure to find something nice to say about the host's music choices. You never have to come back to this party anyway. Just smile and nod. You'd be surprised how popular you can get just by smiling and nodding at questions! In any case it won't hurt you to be nice, no matter what you may think.

Talking about music at parties is something that takes practice, skill and a little bit of luck but keeping these simple things in mind can make the experience enjoyable for everyone at the party. You'll be sure to come across as "cool", without sounding like A Giant Music Snob.

Until next time,
Eriq Nelson

Questions about Musical Etiquette? Send me your quandaries at
musicaletiquette@gmail.com
Read More >>

Friday, March 6, 2009

Ben Meyercord's Live Music Picks for March 6th to March 8th

Hello Dear Readers,

What is up? I'll be honest. I feel kinda spent. I am tired now, but I am looking forward to this weekend. There are some pretty incredible shows happening. Many of which are at the newly re-openend Mississippi Studios. I went there on Wednesday and was really impressed by the venue. I see myself going to a lot of show there. Hooray for a venue that is close to me! Any ways here is what is up.

Friday, March 6th

These shows are all really good. I would suggest you go to all of them, but that would be stupid. Just pick one.


  • Kelly's Olympian is having a show for Oregon Food Bank Benefit with musical guests: We're from Japan!, AristeiA and Krist Kreuger (of Southerly). Sometimes I try not to be biased, but then there are times when it defies logic for me to even try. I play bass in AristeiA and I love it. We have new songs to play and we are very proud and excited to be playing them. Also if you have not seen We're From Japan! you are missing out. They make instrumental post-rock music that is both epic and easy to y'know dance around to. Krist Kreuger on the other hand is, if he is playing under his name, probably going to be doing the singer songwriter thing. And boy is he a songwriter. He does a song a week that is featured on the OPB Music Blog The show is $5-10 and starts 9 PM.

  • Hello Loneliness! is going to play a folk set as part an art opening for Joseph Demaree at Monochrome Gallery. I still haven't seen this band, but loved lead singer, Justin Fowler's last project Wooden Indian Burial Ground. If you are at all familiar with that band, then you will know that a folk set is by no means a stretch. I am not the only one interested in seeing this band. This week Willamette Week wrote this about the band. The opening starts at 7 PM. The music will be at 8 PM.

  • Crystal Ballroom is having a show with Spoon and Everest (LA). Spoon is not technically a Portland band, but the lead singer lives here. And he has for a couple years now. I don't think he is going anywhere. Anyway, I think Spoon are one of the best bands that came out of the 90's "indie rock" scene. They continue to put out good records at a very respectable rate. I don't know nothing about Everest. The ALL AGES show is at a pricey $20-22 and starts at 9 PM.

Saturday, March 7th

Hot damn! There are even more good to great shows on Saturday.

  • Backspace is having a show with The Last Slice of Butter (Seattle), The Black Black Black, Southern Belle, and Inside Voices. The Black Black Black has Boy Gorilla ties. A label that usually puts out some really good music. In fact, this is the release show for a split 7 " between The Last Slice of Butter and The Black Black Black that is out on Boy Gorilla. I still have not seen Southern Belle, though I know some people who have assured me that they are good. The ALL AGES show is $5 and starts 8 PM.

  • The Artistery is having a show with Why I Must Be Careful, Planets and Some Weird Sin. Why Must I Be Careful are two dudes. One dude freaks out on a Fender Rhodes piano, the other freaks out on a drum kit. It sounds kinda like jazz, but kinda like two people freaking out (which it is). Planets somewhat remind me of old Hella. Which is to sauy it sounds awesome and kinda crazy. Some Weird Sin sound to me like a band that grew up on Nine Inch Nails and drone. I guess what I am saying is they are experimental. The ALL AGES show is $6 and starts at 8 PM.

  • Hungry Tiger Too is having a show with Trick Sensei and New Century Schoolbook. I know people who know people in Trick Sensi. There were some members that were in the late "surf rock" band, The Mello Outs (fronted by Westfold drummer Dustin Mills). New Century Schoolbook is the awesome indie-pop out fit that contains CIMTB blogger Amber Dawn. I have seen them and can personally vouch for them and their ability to make you tap your foot and bob you head, in a overall general good time. The show is at 10 PM.

  • Doug Fir is having a show with Efterklang and Peter Broderick. Efterklang is a really good group of musicians. They are so good that seduced one of Portland's best musicians, Peter Broderick to join them in their native land of Denmark. But not on Saturday night. Saturday night he is ours again. If you have not heard his latest, Home, you are missing out. Where Peter's solo output in the past has been largely instrumental and pretty with piano and string heavy arrangements, Home is all vocal and guitars. It is also pretty though. The show is $10-12 and starts at 9 PM.

  • East End is having a show with Everest, Lotus Isle, Highway and Day of Lions. Everest is the band that played with Spoon on Friday night. I still don't know much about them. Day of Lions, however I do know a thing or two about. It is a female fronted group that makes very good indie-americana. I saw Highway once and thought they were pretty good. I may be remembering this all wrong, but I think I remember the dude kinda sounding like the guy in The National. The show is $8 and starts to 9 PM.

  • Aladdin is having a show with M. Ward and Port O'Brien. In regard to M. Ward there are two kinds of music fans. The kind that already bought tickets to this first of three SOLD OUT shows. And those who did not and now, like me, are kinda bummed. The show starts at $20 and starts at 8 PM.



  • Holocene is having a show called Writers Block (it is really a Oregon Food Bank Benefitshow) that will feature these fine folks: Jesse & Josh (of Oh Captain My Captain, Chris Robley, Nat & Dave (of the band Derby, Amy Seeley, Johnny Clay (lead singer of The Dimes, Bryan Free, Henry, Chris & Jules (of the band Jonah, Lael Alderman, Ehren Ebbage (Eugene), Nathan Trueb (of Tango Alpha Tango, Kelli Schaefer, Eric Nordby (of the band Norman) and Karizma (who will be making it a dance party once all the bands are done playing). Holy Crap is that a lot of bands. The high lights for me being Kelli Schaefer and the stripped down Oh Captain fellas. I have had the pleasure of playing a couple of shows with Kelli and she is so good every time. I have also had the pleasure of playing a show when The Oh Captain My Captain guys played all acoustic like. It was REALLY good. The show is $7 at the door. Unless you bring a donation of a canned good. Then it is only $5. The show starts at 8 PM.

Sunday, March 8th

Some days it is just dumb how many good shows can happen on one day in Portland. Today might be one of them.

  • Portland Cello Project, Thao, Justin Power, Gideon Freudmann and Adam Shearer (of Weinland. PCP is the most bad ass cello band out right now. I love what they do it is like a seeing the world in cello colored glasses. That is to say, they cover many songs from all over the place and give them the cello treatment. It sounds so good. The special ALL AGES show is $15 and starts at the very early hour of 2 PM.

  • Matt Sheehy and Y la Bamba. Again I play in Y La Bamba, so I cannot lie. I am biased. I am biased and I love it. We are currently in the midst of recording a full length album. We have re-arraged a lot of our material and are very much looking forward to showing it off. And, I am also very excited to see Matt Sheehy's full band. Something that I have yet to witness. I am sure it will be great. The show is $8 and starts at 9 PM.

  • Backspace is hosting a show that was originally scheduled to happen at the recently shut down ALL AGES venue The Hush. It is a very good one too. Azenda Booth (Calgary, Canada), The Old Beleivers, and Bone Arrow will all be playing. I had not heard of Azenda Booth but you can download an ep of their's for FREE here. It sounds cool to me. Plus The Old Believers are super good. And I have heard that Bone Arrow is not to be missed.


  • Valentine's is with Galveston, False Migration and Sam Cooper. I think that Sam Cooper is awesome. Both in his music playing ability and his songwriting. I like the hushed numbers that Galveston has on his myspace page. I have heard about False Migration, but could not find any info online. At this point it is all word of mouth. The show is FREE and starts at 9 PM..

  • Aladdin is having a show with M. Ward and Port O'Brien. The show starts at $20 and starts at 8 PM. But of course, you already knew that didn't you?

  • Worksound is having a show with Pwrfl Power (Seatte etc...), Grey Anne and Root Beer & French Fry. Why is it that I seem physically unable to see Root Beer and French Fry play a show? It is stupid. I want to see them. I have played a show with both Pwrfl Power and Grey Anne before and love both of what they are offeing to the world via their music. I think that actually to the words of both of them will only enhance your experience that much more (I mean their music is also really good). The ALL AGES show is $7 and starts at 9 PM.

So that is what is good in the world of Portland Shows. Please let me know if I forgot to list something essential. Please say "Hi" to me if you see me. And please, for the love of all that is good, have a great weekend.

-Ben


This an example of what the Portland Cello Project will do several times this weekend at Mississippi Studios.
Read More >>

Music Review : Everything, Now! : Spatially Severed


When I first received Everything, Now!’s press packet, I was slightly nervous. A band that advertises themselves as “space gospel” and whose most recent album, Spatially Severed, features a cover photograph of a man in a blue jumpsuit looking very proud of himself, and instead of a head he has a giant inverted crustacean. In my experience, something that wacky can only mean two things – it’s really awesome, or it’s really terrible.

I needn’t have worried, because Spatially Severed is decidedly awesome. The band, composed of five guys from Indiana, Dan Skipper, Justin K Prim, Jon Rogers III, Eric Alexander, and Dave Carter, has a sound that seems to come from farther south, especially reminiscent of the Flaming Lips at their best, with hints of David Bowie, T-Rex, jangle-pop like the DB’s and Big Dipper, early Of Montreal. They combine pure oldschool rock and roll energy complete with pounding keyboards with a sort of liquid sumptuousness of sound, their music sounds very big and full, with great vocal harmonies and brilliantly funny lyrics. There were about a dozen examples I thought of when I was listening to Spatially Severed, but I think I’ll just offer the opening line of “Burden Time,” the first track –

“He was born, it was awful.”

Most songs on the album carry a science fiction theme, bring that up to almost all if you count the afterlife, angels, God, and assorted paraphernalia as science fictional – and regardless of your personal beliefs, or the band’s, for that matter, which I know nothing about, these subjects are treated in about the same way in the lyrics. Sometimes this sort of theme could come off as gimmicky, but the combination of well-crafted, often very funny lyrics and really good musical background – catchy and well played – I think I could enjoy their sound even if I had no idea what they were talking about, and the stories in the lyrics are a bonus – everything fits.

The opening song, Burden Time, is short and sweet in a jangle-pop style, followed by Shelter, which is more lo-fi with shouted call-and-response vocals. Labyrinth, the third track, sounds like a good soundtrack piece to a 60’s spy movie. When I heard the beginning of track four, Brother of the Prodigal Son, a country piece with minimal instrumentation, I was pretty credulous. However, once I heard the lyrics “the celibate spaceman’s sister was selfish enough to say the baby was his – so he came down on his astronaut’s cross just to prove that he couldn’t have kids” – delivered in complete earnest, I laughed so hard I almost cried and this track became a favorite.

I could go on and tell you about every song on the album, but this review is already really long, so let me just say, Spatially Severed by Everything, Now! is a well crafted album, with witty songs in various styles. I would recommend checking them out.



Read More >>

The Great Northwest 2009 Tour Movie!

The Great Northwest went on tour and all I got was this stupid movie:



I interviewed The Great Northwest and all I got was this stupid interview:



Love,
Goldie
Read More >>

Wet t-shirt- excuse me, TRIBUTE NITE




So, looking in the A&E I notice that there are not one but TWO tribute nights coming up, one for Tom Petty and one for Tom Waits. Why so many Toms? And more importantly, where is the Tom Jones tribute show? This got me thinking, and more questions followed. Who sets up these tribute nights, and WHY THE HELL WAS I NOT ASKED TO BE INVOLVED?


Let me back up. I have only played in one tribute show, an Iggy Pop show, which was a benefit back in the day for the families of 9/11-fallen FDNY. It was awesome. We were a late add-on, so all the classic songs had been taken, so we ended up doing "Mask" off his then-current album, which mutated into an even harder hardcore song with a very sweet sax-led reggae bit in the middle. It was so much fun. The host/promoter of that show was the ubiquitous DJ Gregarious, and when I talked to him later, it was going to be the first of several tribute nights, such as George Harrison and Cheap Trick. He mentioned that tribute nights are... well, tricky and not cheap, but very popular.


I can see certain difficulties immediately. Many many bands, which means more bodies that aren't paying to get in, more risks and hassle for the venue. The music rights aspect- I mean, it isn't like cover band night at the local watering hole. In the age of teh Intarweb it's even easier. If Roger Water's IP lawyer has a few idle minutes to spare, he can just google 'Pink Floyd tribute nite,' give ASCAP a call, and start shuttin' doors. Is that how it works? I'm actually very curious. As wikipedia would say, "This article requires the attention of an expert."


Here's the thing, though. I can think of some awesome tributes, boom, off the top of my head: Joy Division, The Who, Peter Gabriel, Joni Mitchell, Morrissey, etc. These are just some of my favorite artists, but you can see what I mean. I'd love to play at any of those, and I think Coeur Machant would be up to the task. So set up some tribute nights already, people, and count me in. I'll help out!


And I won't tell Roger Waters.


P.S.


Speaking of both DJ Greg and Tom Jones, we simultaneously attended his show in the summer of '95. These were the Papaccino's days when he was a barista and I was a patron. Anyway, you of course know that TJ is famous for having women throw their panties on stage during "What's New Pussycat." Well, during that song, DJ Greg (flanked of course by two fine-looking ladies) reached down into his pants and threw his boxers on stage.


Damn.
Read More >>

(UPDATED PAYPAL INSTRUCTIONS) Portland's Sexiest Indie Musician Guy Calendar ON SALE NOW! Woo hooooo!

PAYPAL IS WEIRD. IF YOU DO NOT HAVE A PAYPAL ACCOUNT PLEASE LOOK FOR THE LINK THAT SAYS "Don't have a PayPal account? Use your credit card or bank account (where available)"



Crappy Indie Music -- The Blog! Presents:

Portland's Sexiest Indie Musician Guy
March 2009 - February 2010 Calendar



  • This calendar is 11x17, coil bound at top and perfect for framing.
  • It runs March 2009 - February 2010.
  • It's printed in Portland, Oregon on 100% recycled paper.
  • This calendar is not massed produced. You won't find this at Borders, Powell's or anywhere else fine calendars are sold.
  • This is a definite collectors item.
  • Not to sound 100% cheesy but this would make a great gift for your favorite music nerd and/or anyone who is in love with Portland, portraits of men in their undies, genuine indie calendars and of course our very special and vast music community
  • extra Portland flavor added to every month!
  • Each of these beautiful photo's represents an unique interpretation of sexy ie; Sexy hot, sexy weird, sexy beautiful, sexy raunchy...
  • This is the first indie musician calendar EVER! I'm not kidding! (If you can find one other than this I will give you a free I (anatomical heart) Crappy Indie Music t-shirt!)
  • These will be mailed by hand, by me!
  • $25 each plus $6 (whoa it cost way more than I thought to mail this puppy!) for S&H***




The musician guys include members of AristeiA, Starfucker, Y la bamba, The Fenbi International Superstars, The Slants, Rush-N-Disco, Lost Sparrows, Hearts and Minutes, Boy Eats Drum Machine, Evil Doer and musician's Kevin Moyer and David Kyle. The photographers are Liz Macgregor, Alanna Hylton, Nilina Campbell-Mason, G*Force, Kim Haggstrom and Josh Drescher. Calendar design by (me) Ste. Goldie

please email me if you have any questions: goldiedavich@gmail.com

***When you click on "Buy Now" you will be directed to the PAYPAL login page. I'm not sure how to get a round that. Sign in or sign up. Come back to the blog and click the link to buy the calendar. I gotta figure out how to change that. Email me with any questions***


Read More >>

Thursday, March 5, 2009

is there a cellist in the house?

Hey everyone, recently I have started playing music on occasion with kick ass singer songwriter Mike Griffith aka the Height of 63. Right now he is playing out as a soloist (show coming up the 14th at Misissippi Pizza with Hearts and Minutes and Pony Village - one of whom I'm playing a show with on the day before, and the other of whom shares a bass player with New Century Schoolbook. Isn't portland's music scene delightfully incestuous?) but looking to put together a trio with flute, guitar, and cello. I provide the flute-ing, fortunately, but we have been hard pressed to find a cellist. So if you're in portland, and play the cello, or know someone cool in portland who plays the cello, and wants to work on a musical project inspired by 60's folk (think Comus, not Peter Paul and Mary) .. let me know! or get ahold of Mikey through his myspace. <3
Read More >>