Monday, November 12, 2012

Live show: Psychic TV at Rotture, 11/10/2012


First of all, hi everybody! First post here. I'm me, you're you. I write things sometimes! You read things (I hope) sometimes! Introductions over. Let's get down to brass tacks, shall we?

I just got home from seeing Psychic TV headline a four-band set, and boy are my legs tired. I'd have said arms, but as it turns out, I don't stand on those for hours, and I drove home instead of flying.

First things first.

Today, I learned that if you're talking to someone about rigging up a show review, and you ask for a guest list spot +1, that you should make sure they actually confirm it in writing before you assume they're going to go ahead and let you in. You see, when you assume, you have to get to have a brief argument very friendly chat with a fermented pile of elephant spunk very friendly fellow in a cheap beautiful suit who is drinking on the job just trying to protect his financial interests. He lets you know that "it's my show, and I can't honor that." So, me and my +1 decided, after some deliberation (okay, it mostly involved shrugging our shoulders indifferently and stating "well, we're already here") to just get over it and pay our door charges and go in.

And then you have to get on the Internet and complain about it. Done.

ALSO, there was a concert. Which I saw.

The lineup was Psychic TV, DBC (apparently this stands for 'Dangerous Boys Club'), King Dude, and Vice Device. Psychic TV is currently on a mini-tour in support of their first release in several years, a 12" single titled Silver Sundown Machine vs. Alien Lightning Meat Machine.

I have absolutely no idea what order the openers played in, so I'll just go chronologically.

The first band played their entire set before I managed to make it through the line, but I listened very intently through the wall outside. It was, to my trained ear, something like thuddity-thuddity-thuddity-RAAAAAAAAAAAAUGHH; when I got in, my +1 noted that one of the openers had just finished a sound check. That was their set, as it turns out. Not much to say about that, aside from that someone made a confusing booking decision there.

The next band, whoever they were, was great! They probably practiced for at least five hours in one of their parents' basements, and were doing a grand job with the snare drum that one of them got in sixth grade band class and the Casio they found in a dumpster outside of Best Buy. (Full disclosure: It probably was not a Casio. I'm pretty sure about the sixth grade band class thing, though.) After a few songs, I was suddenly glad that when I was in grade school that the band teacher refused to let me play the drums. If I had boobs and a Chelsea haircut, that totally could have been ME up there.

After the second band finished up their three song set, I went outside and chatted for what seemed like long enough to miss the entire third set in its entirety, but I managed to only miss the setup of said third set.

The third band was the most interesting and alarming opening act yet, for a number of reasons:

1.) The set was played entirely by a fog machine. I don't think there were any people actually on stage. This is a clear indication that Skynet has become self-aware. Sorry to break this to you when all you wanted to do was read a blog post. We're all screwed. That, or they just used too much fog so we could see that they had LASERS. Not really sure which, but I haven't seen that much smoke in one place since a friend of mine accidentally ignited about a pint of flash powder he was holding. Protip: Don't do that.  EDITOR'S NOTE:  I was there.  Really, don't do it.

2.) While I didn't actually recognize any of the songs, I am 100% certain that I heard them all at concerts between 1992-1995. This is a clear indication that that guy from the venue, whom I previously identified as a very friendly fellow, saved the world by destroying causality and sending us back a decade to stop the terminators before it's too late.

3.) I know that for effect, I'm supposed to have three things, but I don't, so I'm just going to use #3 to state that. There you are, then.

They also seem to have played about three songs.

So, then Psychic TV came on, they pulled out all the stops, probably dosed the entire venue with some sort of hallucinogen, and started doing their thing.

I had been initially informed that Genesis P-Orridge was done touring, so was totally unsure what to expect from the show if the only static member of the band was not actually performing with them. Apparently, however, rumors of Genesis having retired from touring have been greatly exaggerated, because there (s)he was on stage, singing and chatting away. It took me about half a song to determine to any degree of certainty that it WAS Genesis, as prior information had stated that (s)he was not going to be there, but if it wasn't him/her, then they had signed on a very impressive doppelganger who was exactly as off-key as I remember Genesis being from what I could recall from my dabbling in Throbbing Gristle/Psychic TV in my youth. That's right. I experimented as a kid. C'mon, didn't we all?

Also curious: I think Psychic TV played about three songs too. They spanned nearly 2 hours, though. See what I mean about having three things here?

Anyway, I recognized exactly none of the set, having not listened to any of their 2,540 albums* beyond a handful of songs in the 90s, but I like to think that gave me a nice, clean, unbiased slate.

* - Give or take. They might have only put out 2,538. There was that one year where they put out an album every 95 minutes month, after all...

So, we stood around, soaking in an darker set of songs than I expected, which frequently seemed to channel Black Sabbath or Pink Floyd. They were pretty solid, considering that this was stop number two on a Very Small Tour, and they mostly packed the house, which is not too shabby for a band whose core fan base probably already died/went permanently insane from an overdose of something.

I did not, unfortunately, manage to catch any names of the people who were performing with him while they were doing the mid-set introductions, but the guitarist was David Della Rocco.


Who knew he could play guitar?!

Also of note: There were a surprisingly large number of dudes with Rip Van Winkle caliber beards in that place. I am unsure of the significance of this. Discuss.

EDITOR'S NOTE:  Shad isn't sick, precisely, but neither is he well.  Thanks for the great first post!

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Sunday, November 11, 2012

Møtrik at Langano Lounge

Meine Damen und Herren, are you on the prowl for a little krautrock because you've warn out your copy of Amon Düül II's Yeti?

You're in luck—Møtrik ist hier!

Møtrik made their world debut Saturday night, November 10th, at Langano Lounge on Hawthorne. An instrumental ensemble made up of Dave Fulton, Cord Amato, Lee Ritter, and Eric Golts, the band packed the tiny basement space, leaving many just standing anywhere they could find some floor.

Typically, I'm a little wary of new local bands. It usually feels like I have to "squint my ears" to hear what they're going for. If asked, I struggle a little for positive comment, skipping over the "squinting my ears" preface. It's important for people to have the experience of being in a band, but not all bands are masters of their craft.

Møtrik, however, is comprised of four musicians that are clearly masters of their instruments and have taken the time to build a tight group rapport. Their set flew by, one song morphing into the next, for perhaps 40 minutes to an hour. Who was clock-watching? Not me, I was just enjoying the music, which I could see myself easily enjoying at home. You know, if they ever released an album. Although if I was listening to an album, I'd miss the strobe lights they periodically used to accentuate their music.

Another interesting experience was changing where I stood in the room about halfway through the set. After enjoying a more distant sound at the back of the room, absorbed by all the bodies in front of me, I worked my way up to the front where I could watch the band in more detail. It was a much different balance and sound, reminding me of one of the joys of live music.

Follow Møtrik on Facebook to hear about future gigs.
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Friday, November 9, 2012

Double album release 11/11 at Rontom's


Megan (from Jared Mees & The Grown Children) has let us know that there is a double album release show coming up, 11/11 at Rontom's.

Megan's project Woodwinds will be releasing their album Kismet, and they are sharing the show with local artists Genders, also releasing an album, and LA band Black Apples, who are apparently huge slackers and not having an album release.

Sounds like quite a bill- check it out!
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Monday, November 5, 2012

Upcoming shows: Crushed Out 11/8, Indigo Girls!! 11/9

Gratuitous picture of Syd Barrett.  Is he seeing Emily play?  Is he watching you poop?

Propeller has steered me towards some good upcoming shows.  Thanks Angela!

November 8- Super peppy Brooklyn duo Crushed Out will be here at PSU on Thursday, and their new album Weigh You Down drops tomorrow!  Check out their new single, as featured on Rolling Stone!

November 9- Two shows.  Sorry, you're gonna have to choose.  Unless you can teleport.  In which case, call me.  I have some stuff I need to do.

First up- Jonny "Corndawg" Fritz at the Crystal Ballroom, with Devil Makes Three.  JCF is an old school country balladeer.  He'll be coming back later this year on tour with rockabilly pioneer Wanda Jackson, so if you miss him Friday, meet me at that show!

Next- and this is very exciting- the Indigo Girls are at the Schnitz on Friday.  They've gone with a couple of hot arrangers- Sean O'loughlin and Stephen Barber- and will be deploying those new arrangements with the Oregon Symphony, with an acoustic set to follow.  I'm sending new blogger Jessica to cover this gig, and she'll be interviewing the Girls as well, so look for that!

Awesome!  Now teleport me back home, I'm ready to eat some chicken soup.
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Sunday, November 4, 2012

New gear review podcast up!

Not pictured: fuzz pedal.  Or shoes.

I went to do a short gear review of the Malekko Heavy Industry Fuzz Pedal, but couldn't stop talking, so turned it into a podcast.  While I was working on it, I got my new bajo sexto, and decided to make a two part episode.

This was actually kind of fun... I'm thinking I'd like to do more podcasts, maybe not just on gear.  Maybe I'll try to get some audio interviews on there.  Anyway, it's a work in progress, and you'll hear more from me soon.  Check them out on the Gear Review tab up top, or listen to them right here.  Once again, thanks to Malekko Heavy for being so awesome, and making great gear!



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Help Chelsia kick cancer's ass!


My friend Chelsia just found out she has squamous cell carcinoma, which sucks.  Big time.  Nobody wants to find out they have a form of bladder cancer that sounds like HP Lovecraft was drunk when he named it.  Nobody!  The bottom line is that she needs help!

Chelsia is a friend from way back, and one of the people whose writing I admired in my formative high school years.  Currently she is doing that dirtiest of dirty jobs- teaching school.  She was inspiring already, but has shown an amazingly honest and resolute face in the fight of cancer.

Visit this site and help the fight.  I guarantee, it will be far more satisfying than crowdfunding some dude's USB pocket fisherman.


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Wednesday, October 31, 2012

FERAL HYMNS


I just got word from a lad named Gieves in Brooklyn, who is spending his stranded flood time by letting us know about his new project.  FERAL HYMNS is a collaborative project between some folks in Brooklyn and Nashville, and you know how I love me some long-distance music affairs.  Check out their Soundcloud and Bandcamp page.  Good stuff!
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Wednesday, October 24, 2012

New Release Review - Gary Clark Jr's Blak and Blu

Just close your eyes and think of England.


Great things are in store for Austin's three-time Best Blues and Electric Guitarist, Gary Clark Jr. 

Unless anyone listens to his new album Blak and Blu.

One of the most anticipated blues rock albums of the year was released on October 22nd but there's little blues rock on it. Gary stated in an interview recently that he ditched his touring band for this new album in order to go in the studio with a fresh sound. What he left the studio with sounds like that new studio band was made up of corporate executives and the creative talents behind Justin Beiber. And the rhythm section of Billy Idol's "Eyes Without a Face."

Clark's Bright Lights EP (2011) was an excellent glimpse of what the future holds for Texas style blues. Clark's brand of fuzzy, gritty, dirty blues is to Stevie Ray Vaughn what the Black Keys were to Junior Kimbrough. But there's little of that here. 

Three songs from that EP made it onto this new full length album, but only the EP's title track "Bright Lights" gets left virtually untouched. His wonderfully soulful "Things Are Changin'" has been turned into a ballad ala 1980 Marvyn Gaye. But without the soul. Gone are the expert Epiphone harmonics, replaced by an uninspired series of soft electronic snares, cymbal splashes and the requisite finger snaps. 

The fuzzy intro to "When My Train Pulls In" is a redeeming venture into the old staple of American Blues music storytelling. It's a pure late night drive kind of groove, and shows off where Clark belongs. 

The song "Numb" works well, but this is another song he's been playing for a couple of years. 

Then comes "You Saved Me." A song so formulary, any 90's boy band could have done it convincingly. "Oh baby, you got it all, yeah, I'm so addicted, I want you more and more, yeah, yeah, yeah."

Did Kara Dioguardi write this?

Bonus track "Soul" opens with a promising subtle snare shuffle, now we're gonna get low and dirty right? Not quite. 

"All I can do lady is think about you baby, yeah, ooh, ohh"

Well fire up the fuzz, toss in a little tremelo and a healthy serving of reverb, "Travis Country" comes on strong... Just waiting for Travis Tritt to start singing "Mercy, look what just walked through that door. Hello T-R-O-U-B-L-E"

Come to think of it, didn't Chuck Berry do this song 65 years ago? 

It sounds like a song that was cut from the Honeydripper soundtrack for being too corny. And since I was the only person to see that film, let me tell you, it was pretty corny as a whole. 

And then there's "The Life." Which comes off as a Bieberesque attempt to make an epic summer chill song along the lines of Will Smith's "Summertime."

Why can't anyone write a "Sunday Morning Coming Down" anymore?

This whole album left me wondering "Who is Gary Clarke Jr?" 

The answer, I hope, lies in "Next Door Neighbor Blues." A tasteful nod to Son House and his "Death Letter Blues." This is Clark's best foray on the album. It's where he sounds most comfortable, a bluesman, his slide guitar, some footstompin' and a story to tell. Although maybe more fittingly modern, his woman just packed up and left with his Cadillac, Son House's woman had to be layed out on the cooling board.

Clark has drawn from his diverse influences, from R&B, Doo Wop, Blues, Gospel... And that's the problem. It fails to have a cohesive feel.

Gary Clark Jr is known to be one of the best up and coming guitar players today. His live shows are a must see. 

The question on this album remains:

Where is Gary Clark Jr on it?

EDITOR'S NOTE: "Eyes Without a Face" is an awesome song.
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